• “Telling HerStory,” EMAg, The Magazine of Early Music America, May 2025
• “Determining Why Before How: Crafting Mission, Vision, and Values Statements to Facilitate Undergraduate Curricular Reimagining,” Journal of Music Theory Pedagogy, Volume 38, 2024
• Expanding the Music Theory Canon anthology published by SUNY Press, December 2023
• Expanding the Music Theory Canon worksheets with Auralia & Musition
• Expanding the Music Theory Canon a collection of inclusive music theory examples by women and composers of color
• Teaching the Theory of Sweet Sounds: Sarah Mary Fitton’s 1855 Conversations on Harmony as Public Music Theory, American Musicological Society History of Music Theory Blog
• “Turning the Madwoman Upside Down,” Women & Music: A Journal of Gender and Culture 25 (2021)
• “Racism and Sexism Remain Pervasive in Western Classical Music Instruction,” Journal of the International Alliance for Women in Music 27, no. 1 (Spring 2021)
• “Notorious Strumpets on the English Restoration Stage,” Early Music America Blog, September 2020
• Review of The Power of Pastiche by Alison DeSimone, American Handel Society Newsletter Winter 2021.

Selected Articles and Interviews About My Work:

• “Rethinking the Fundamentals,” Article in Peabody Magazine, Spring 2025
• “Expanding the Canon,” Article in Peabody Magazine, March 2022
• Interview with Music and Politics in the Moment about Expanding the Music Theory Canon, 2021

Program Notes

I am available for hire to write program notes. Ensembles for which I regularly write:

• Baltimore Symphony Orchestra
• New World Symphony
• Seattle Baroque Orchestra
• The St. Paul Chamber Orchestra